LGBTQ films of the 90s: queer film defines the independent cinematic explosion of the decade


Invented by film historian and critic B. Ruby Wealthy to give voice to the growth of queer cinema he witnessed throughout the burgeoning film competition circuit in 1992, the New Queer Cinema impression on the unbiased film is clear. In the 80s, films like Jim Jarmusch’s “Stranger Than Paradise” and Steven Soderbergh’s “Intercourse, Lies and Videotape” exploded the thought of what’s what. film It may encourage a whole new tech of radical queer filmmakers to pick up the camera and open it all up.

While Hollywood was releasing blockbuster movies like “Terminator 2” and “Jurassic Park,” anyone who thinks about it can see that the precise entertainment was well below funds. Sundance was still just a small gathering in Park City, where someone who had just graduated from film school could pitch a movie and meet like-minded artists. Over the course of a decade, Sundance increasingly established itself as the epicenter of the American cinema market, and suddenly independent films had a real shot at playing in theaters around the world.

Documenting queer life

Made in the mid to late ’80s, “Paris Is Burning” is undoubtedly one of the greatest films to come back to define the style. Created in 1990 and released in 1991, Jennie Livingston’s groundbreaking documentary launched the past decade in queer cinema with an explosive blast. The spunky characters, appealing fashion, and gravity-defying dances are unlike anything most moviegoers have ever seen. While his ostentation puts people in the seats, Livingston brings the humanity of his subjects to the fore by sharing the discrimination, stigma, and alienation that plagues the ballroom crew.

Turning the camera on the beautiful people society tries to cover up, the film also celebrated the gentleness and bravery to protect and uplift each other through music, dance and self-expression. self.

Paris is burning

“Paris is burning”

Everett assortment

Without being overly didactic, “Paris Is Burning” kicked off the burgeoning idea of ​​”intersectionality,” the layered results of oppression based primarily on race, class, and gender. Livingston’s understanding of these points was undoubtedly influenced by the films of Marlon Riggs, whose portrayals are of unprecedented artistic scope and skill, evoking black gay men in the catastrophe of AIDS. While Riggs’ early work emerged in the late 80s, “Coloration Adjustment” (1992) and “Black Is… Black Ain’t” (1995) left an indelible mark on the portrayal of marginalized communities in film. queer and on screen. .

Unhappy Lesbian Comedies From “Go Fish” to “But I’m a Cheerleader”

It could be argued that the unbiased film market was started by a little lesbian romantic comedy called “Go Fish”, as the first film to be offered to a distributor at Sundance in 1994. Directed by Rose Troche and written by Troche and Guinevere Turner, this moody black-and-white comedy establishes its fashionable romance between a smart group of lesbian girlfriends in Chicago. “Go Fish” worth $15,000, offered to Samuel Goldwyn for $450,000 and grossed around $2.5 million.


Comments are closed.